boot hill

Old fence surrounding BC Pen cemetery.
Copyright © 2004 Deborah McIntosh
My father and I are standing on a hill overlooking the steel grey expanse of the Fraser River at Sapperton, BC, and at our feet, hidden under the last dry leaves of autumn, are a number of headstones. Each stone bears a cryptic, four digit number, with no names or dates, and some have begun to sink into the earth. It is an unusually bright day for mid-November, and it is my father’s first visit to this place. He is quiet, while I am chattering away, reciting names and odd biographical details about the men interred beneath us, taking photographs as I move from stone to stone. I have been here before.

We are walking in the near-forgotten cemetery of the former British Columbia Penitentiary. The penitentiary closed in 1980, officially declared “surplus” following a tumultuous one-hundred and two year history. The twenty-nine hectares it once occupied lay fallow for nearly a decade, the deserted buildings a source of refuge and recreation for local teenagers. Throughout the 1980s, newspaper articles pondered the future of the site, though few mentioned the existence of a cemetery within its borders. Ultimately, the land was purchased by a private developer. Two former penitentiary buildings were renovated as heritage properties, and the rest were razed, replaced by condominiums. Unbeknownst to most local residents, included in a parcel carved from the penitentiary lands and donated by the developer to the City of New Westminster was the BC Penitentiary cemetery, destined to become part of Glenbrook Ravine Park. The cemetery – known to some as “Boot Hill” – thereby became the penitentiary’s third surviving feature.

Most people who lived in the Lower Mainland before 1980 remember the BC Penitentiary. Throughout most of the twentieth century, its structures were prominent along a major commuter route between Vancouver, New Westminster and the nearby suburbs of Coquitlam and North Burnaby. I was a back seat passenger during many childhood car trips past the Pen, and its guard towers and smoke-blackened walls are imprinted in my memory. Back then I had a child’s understanding of good and bad – the hard-earned awareness that a lot turned on one’s ability to tell one from the other. But even then, my regard for “goodness” -- and my prurient fascination with its opposite -- was complicated by the realization that assessments of each could be strangely subjective. I therefore regarded the BC Penitentiary with a mixture of dread and curiosity. Who had been so bad as to require confinement in such a place? And how should such people be regarded?

The BC Pen cemetery in 1955. Photo courtesy A.E. (Tony) Martin
Those born into an earlier generation than my own may recall more tangible pieces of the Penitentiary’s history. Stories of the institution’s most notorious inmates have become – for better or worse -- part of popular culture (think “Billy Miner Pie”, a favourite dessert at a popular chain of steak restaurants, named – some are surprised to learn – after an escaped BC Penitentiary inmate). Less whimsically, some may remember the succession of prisoner suicides in the 1960s, the corresponding public calls for reform, and the response of a bewildered Warden (“What could we possibly do?”). They may remember the protests and hostage-takings, including the 1975 death of 32 year old Classification Officer Mary Steinhauser, held hostage by inmates and accidentally shot to death by guards. They may recall 1970s revelations concerning the conditions in which some BC Penitentiary inmates were confined. And with these memories in mind, some of us may feel uneasy at how thoroughly the spectre of this place has been expunged from the landscape.

Myself, I’m possessed by the sense that there is something to erasures of this kind -- some message contained in our unwillingness to memorialize certain times and places. The park and the condominiums are fresh, and clean, and good for the local economy. But what of what existed here before? Curious about what I would find, I approached the former Penitentiary site as an archaeologist might, mindful that every layer a culture lays down traps something underneath. And what I found – hidden from view, overgrown with blackberries, and all but inaccessible – was the cemetery.

The BC Penitentiary cemetery was a “pauper’s cemetery” – a burial place for prisoners whose families were too poor, too far away, or too estranged to claim their bodies. Here are buried at least fifty-two men, interred between 1912 and 1968. Forty-eight headstones; four – maybe more – unmarked graves. Once having discovered it last spring, this place has become my project, my obsession, my intellectual lodestar. I’ve spent hundreds of hours researching the site and the men interred here, and I come here a lot. I come here to look at the river, and to listen to the trains whistle past. I come here to satisfy my curiosity, to snoop around, to hang out with mortality, and to pray. I come here to think about the stories from our past which don’t get told, and the heritage which doesn’t get preserved. And -- because I don’t think it was ever intended this cemetery should survive -- I come here to keep an eye on the place.

The BC Pen cemetery as it appeared in May 2003.
Copyright © 2003 Deborah McIntosh
It needs watching, I think. Provincial laws mandate the care and maintenance of cemeteries by their owners, and special regulations dictate the manner in which they can be “closed” (the headstones removed and the site converted to a public park). But this cemetery seems to be a special case. It receives few visitors, since access to the site requires both ingenuity and agility -- there are no marked trails, and the gate is always locked. Until six months ago the City of New Westminster – the cemetery’s owner -- had made no provision for its upkeep. (This was not strictly lawful, but who was going to protest?) Blackberries and broom bushes fought to reclaim the ground, and only a third of the headstones were visible. What’s more, the only available record of the identities of the men interred here was privately held – neither the City nor any of the cemetery’s past owners maintained an official registry of their names.

Many pieces of our collective history are buried here. The impact of white settlement on First Nations. Tuberculosis and residential schools. The 1918 flu pandemic. Treatment of Chinese labourers. 1930s Criminal Code amendments that made public nudity an offence punishable with a penitentiary term. A 1950s amendment to the same Code which turned ordinary addicts into “habitual criminals”, subject to indefinite prison terms. Inmate violence against guards, and guard violence against inmates. Here is buried a boy of eighteen, who entered the penitentiary in 1948 at 5 feet 4 inches and 123 pounds, to serve two years for the theft of $70. He died in prison of a brain abscess so advanced it perforated the roof of his mouth. Here is a man who died of exposure in his own prison cell.

Today my father has come to the cemetery with me. We walk the ragged rows of the cemetery, careful not to lose our footing in the holes dug by animals, careful not to step on a misplaced headstone. 991. 1548. 4214. 7299. The stones are poured concrete, and some numbers are so worn they are discernible only by touch. I have a small map, given to me last summer by a former penitentiary employee, and we locate each numbered stone on the map, tracing our gritty fingers along the paper. I now recognize individual stones, and I know some names by heart. That’s Moses Paul, I tell my father. That’s Kee Kwong. These are the five Doukhobor protestors. That is Sook Sias.

Headstone of Prisoner #2516, who died in 1920 at age 25.
Copyright © 2003 Deborah McIntosh
I have heard writers talk about how stories are thrust upon them, against their will. Shreds of a story present themselves through some random occurrence, and soon the tale won’t let go. It demands to be written. It has you by the neck. In such circumstances, research and writing assume an obsessive quality, like an addiction, a Thing demanding to be fed or inhaled at every opportunity. So it is, for me, with this cemetery. In the grip of my obsession, I nonetheless pause to ask myself, from time to time: why does this place matter? I offer my own answers to this question, confident others may view the matter differently: (1) it is important neither to abandon nor hide from our own histories; and (2) when one stumbles upon a relic which has been concealed, it’s worth asking “why”.

Stooped over, gently brushing leaves from a stone, my father wants to know which ones were the Bad Guys. I struggle to find words for what I’ve been thinking since I found this place. That the bad guys are everywhere, and nowhere. That life is wickedly complicated. I avoid the question. Canada geese fly by, and another train whistles past. The smell of cedar wafts up from a barge in the river. It’s getting cold out. I point out the remnants of some old fences bordering this place. There is the rotting wood and wire from the 1950s, the rusting iron pipe from the 60s, the stylish cedar of the early 1990s and the chain link erected last summer. It’s hard not to notice that these fences, erected at the border between this place and everywhere else, keep falling down. There’s probably a lesson in that. We head back to the car.

Copyright © 2003 Deborah McIntosh

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